WEST HOLLYWOOD, CALIF.—When Jada Pinkett Smith got the call from her agent about the Magic Mikesequel script, she was skeptical, if intrigued.
Pinkett Smith had actually been thinking about the world of strippers; though she’d never set foot in a strip club, she had just wrapped a documentary for CNN in Atlanta that dealt with strip clubs and sex trafficking.
She agreed to Skype with Magic Mike star and producer Channing Tatum and director Gregory Jacobs. “That was a very interesting call,” she said.
Originally, Tatum had wanted Jamie Foxx for the role of Rome, owner of a male strip club. He wanted to show people the side of Foxx he’d seen during a fun party, but it didn’t work out “for a lot of reasons.”
It ended up being the best thing for the film, which comes out Wednesday.
“The spirit of the thing was always supposed to be a woman,” said Tatum. “We were just a bunch of guys sitting here trying to come up with what is inside of a woman’s mind and it’s like, ‘Idiots, you should just ask them.’”
But Pinkett Smith still needed convincing.
“I think the selling point for me was when Channing said, ‘Listen, I really think that there’s a level of responsibility and celebration that we can bring to this whole form.’ I thought that was a radical freaking idea,” she said, her experiences in Atlanta top of mind. “If we could really elevate what is happening in these environments, how awesome would that be?”
So they got to work making Rome a woman, resting heavily on Pinkett Smith’s input on who exactly this enigmatic club owner from Mike’s (Tatum) past should be.
The road-tripping strippers (including Tatum, Matt Bomer, Joe Manganiello and Kevin Nash) don’t meet up with her until about halfway through the film. Though the guys are bigger than life, it’s the diminutive Pinkett Smith who dominates the screen as soon as she’s introduced: the queen of her own empire of luxury and desire where men (including the likes of Michael Strahan, Donald Glover and Stephen “Twitch” Boss) exist purely for the pleasure of the female patrons.
“I created a philosophy that this is a woman who looked at eroticism and sexuality as a gateway to enlightenment,” said Pinkett Smith.
“We didn’t have to do very much. We just got out of the way,” added Tatum, who meant it pretty literally, comparing her energy to that of a lioness.
“It’s like, ‘No one move. If you don’t look at it in the eyes, it won’t attack you. Try to feel powerful! Don’t show weakness!’” he laughed.
The dynamic shifts only when the guys perform. Pinkett Smith, who takes over the MC role for Matthew McConaughey’s Dallas in a key scene, was more than happy to sit back and watch with feverish female extras. And they weren’t just acting: their reactions were real, she said.
“It was the show of our lives. Really. It’s the crème de la crème. It’s not going to get any better than that. To have a front-row seat watching Channing and Twitch? Just shut it down. It’s over,” she said.
nal appeal is something that Tatum still can’t really wrap his head around. The 2012 Steven Soderbergh film about male strippers and the economy cost only $7 million to produce and ended up grossing $113.7 million domestically.
Tatum thinks they “caught a wave” off of the Fifty Shades of Grey phenomenon; the book had come out a year prior.
“I wouldn’t have read that and thought ‘women empowerment,’ but it definitely somehow turned them on. And I don’t mean sexually. I just mean the switch was turned on,” said Tatum.
“I think it’s just time. I think women are ready to self-actualize in an erotic, sexual manner. I think that women are becoming less afraid,” said Pinkett Smith. “We need time to really explore that territory.”
By: Lindsey Bahr The Associated Press, Published on Fri Jun 26 2015
